Right now, a team of digital scanning whizzes is back in their Florida lab, making a digital 3D model of the TWA Flight Center. Last week, while the staff and their equipment were hard at work recording every curve, bend, window, and facade of Eero Saarinen’s 1962 terminal at John F. Kennedy International Airport, photographer Max Touhey was granted access. That much free time inside the historic, beloved landmark is hard to come by—especially with a camera in hand—given that it has been off limits to the public since 2001 and is set to undergo redevelopment into a boutique hotel.
[Source: Curbed NY]
The apartment block by definition is generic: standardised dwelling units stacked next to and over one another, with each apartment layout varying slightly. The principal differences lie in the design of the entrance, stair and lift hall and verandah or balcony fronts. Despite the limitations of the apartment template, some architects like Claude Batley and G B Mhatre were creative and unique in their apartment designs, especially in the way their buildings were sited, proportioned and detailed.
When Cleopatra’s Needle was commissioned by Pharaoh Thutmose III around 1450 BCE for the Heliopolis sun temple, the island that would be Manhattan was mostly woodlands. Yet through an unlikely journey the 69-foot, 220-ton length of red granite would arrive in 1880 in New York City and become one of the icons of Central Park.
This 100+ year old Georgian mansion is indeed a McDonalds, and while well known to locals, it totally caught me by surprise. I practically expected a maitre d’ to greet me as I went inside.
Source: Scouting NY.
Here are some of the architects and architecture firms who designed most of the buildings in the Shivaji Park locality at this time: G. B. Mhatre, S. H. Parelkar, V. M. Suvarnapatki, R. K. Joshi, D. P. Borkar, S. J. Narvekar, G. D. Sambhare, G. W. Marathe, D. G. Vaidya, S. M. Kini; Patki, Jadhav & Dadarkar, Jaykar & Gupchup, Parelkar, Ovalekar, Gore & Parpia and the Dhurandhar brothers. The buildings around Shivaji Park, Five Gardens and the Dadar-Matunga estate were predominantly designed by pioneering Marathi Manoos. Seeking to destroy them today in the name of redevelopment is to erase an essential, eighty year old built heritage that contributed to the Marathi asmita (pride) of the city, just as much as the poets and litterateurs of the language did.
Proud to say that two of the names above are that of my grandfathers.
Is bemoaning the gentrification of Washington, D.C., a genre past its prime? I mean, there’s considering the meaning of the transformation of the city from a majority-black metropolis to one that is no longer so, and there’s reflecting on what it means to see all-black, working-class cultural communities replaced by middle-class, multi-ethnic, multi-racial ones that nonetheless have the kind of homogenized cultural aesthetic characteristic of the college-educated. And then there’s just writing an ahistoric rant that ignores the successful decades-long effort by black political leaders and real estate developers and businesspeople of multiple races to rebuild a neighborhood decimated by the 1968 riots, drugs, and the flight of the black middle class, while also downplaying the significance of black American artists in the cultural life of not just white America but the entire world.
(Via The Atlantic)