A clean, well-lighted place

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The Visitors’ Centre derives from a modernist tradition of pavilion-building that channels the Glass Boxes of Mies and Johnson. It employs many syntactical elements- a raised plinth, deep roofs on both sides to provide shade; the overhead plane held up by slim shining supports used sparingly, a sheltered glass enclosure of indeterminate function. The architecture gains significance by not kowtowing to the visual fakery that is the bane of most buildings that come up in the vicinity of important older structures.

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