When Dharavi grows up, it does not want to be Shanghai

These neighbourhoods are hives of building activity. The houses here have long passed the hutment stage and are now as pucca as your own homes, albeit in constrained conditions. Unlike most flat owners (this means you), these homes occupy a plot on the ground and rise to a height that will not get them in trouble with the BMC. They are built in RCC and brick masonry, finished with ceramic tiles, both inside and outside, are clean and largely maintenance-free. They have electricity and piped water running to their kitchens and toilets. This is clearly seen by the miles of running pipes over ground, on both sides of the streets. The roads outside their homes are paved with interlocking tiles, just like any other part of the city.

Despite this, the Slum Rehabilitation Authority (SRA) chooses to name these localities as ‘difficult’ areas, and damn them to the eternal hell of rehabilitation.



Managing cities is often more about understanding how people that live in them use the spaces where they work and live rather than imposing an outsider view of how cities should be.

[Link to FirstPost.Mumbai]

What makes Shivaji Park more accessible than Oval Maidan

For a city starved of public spaces, the Oval Maidan is an exemplar of barriers destroying urbanity. In order, presumably, to preserve the grounds from the depredations of undesirables, the Oval is fenced off with railings that put you in mind of a penitentiary no matter which side you are on. Inside, a few cricket pitches are tended to for a filtered few to use. The narrow ‘public’ path joining the Art Deco to the Neo-Gothic stretch only emphasises the impression of one being out of place.



On how open public spaces are ruined by enclosing them.

[Link to What makes Shivaji Park more accessible than Oval Maidan]

A clean, well-lighted place

The Visitors’ Centre derives from a modernist tradition of pavilion-building that channels the Glass Boxes of Mies and Johnson. It employs many syntactical elements- a raised plinth, deep roofs on both sides to provide shade; the overhead plane held up by slim shining supports used sparingly, a sheltered glass enclosure of indeterminate function. The architecture gains significance by not kowtowing to the visual fakery that is the bane of most buildings that come up in the vicinity of important older structures.

[Link to A clean, well-lighted place]