You can Kickstart an edible spoon, but not a city

Most of the Kickstarter projects under the Design tab congregate around the themes of bikes, cheese, typography and iAnything, yet there is now a subset of urban interventions. A plastic tent for a livability conference in Prague. Uni, a portable open-air reading room for New York. A rooftop farm in Mumbai. The filtration system for +Pool.

What do these projects have in common? First, they are in famous cities. Second, they access hot-button urban topics: rooftop farms, reclaimed railroads, (self-reflexively) urban conversation itself. And third, they are gizmos. Critic Reyner Banham, in the oft-quoted essay “The Great Gizmo” posited that it wasn’t massive infrastructure projects that changed our world, but devices. Urbanism would lose out to industrial design. And that’s just what’s happening on Kickstarter. You wouldn’t Kickstart a replacement bus line for Brooklyn, but you might Kickstart an app to tell you when the bus on another, less convenient line might come. You can’t Kickstart affordable housing, but the really cool tent for the discussion thereof. Gizmo is close to gimmick, and worthy goals have to be dressed up in complex geometries for Kickstarter.

Source: Design Observer.

Urban Spaces and Innovation


Case study in how urban space fosters innovation RT @dens Check out this list I made: “A brief history of foursquare” http://t.co/xEbIg2Qless than a minute ago via Twitterrific Favorite Retweet Reply

Buckminister Fuller's Dymaxion House

“If you are in a shipwreck and all the boats are gone, a piano top . . . that comes along makes a fortuitous life preserver,” Fuller once wrote. “But this is not to say that the best way to design a life preserver is in the form of a piano top. I think that we are clinging to a great many piano tops in accepting yesterday’s fortuitous contrivings.”

The New Yorker has an excellent piece on Buckminister Fuller, the inventor of the geodesic dome displayed in a grand fashion for the U.S. Pavilion for the 1967 World’s Fair in Montreal.

The geodesic dome as you know encloses more space with less material than any other structure and can withstand tremendous pressure (a staple for most sci-fi futuristic movies). But yet they are considered a “massive total failure.” Anyone care to guess why? Anyway, Fuller’s mission was not aimed at selling the Dome but hammering away at people’s stagnant capacity for change.

Reaching Beyond

“The majority of the world’s designers focus all their efforts on developing products and services exclusively for the richest 10% of the world’s customers. Nothing less than a revolution in design is needed to reach the other 90%.”

—Dr. Paul Polak, International Development Enterprises

Looking beyond our usual perspectives can not only be enlightening but also mighty useful for sections of populations that have escaped our attention thus far. The National Design Museum in New York is hosting a Design for the other 90% exhibit. Another set of designers called themselves Designers without Borders. Interesting stuff [via].